Tuesday, January 10, 2012

2011 Songs: The Top Twenty


The mildly disappointing finish!

After having 95% of the first 80 tracks on the list, Grooveshark holds to form with 19 of the 20 below, with a youtube link provided for lone holdout.

 2011 1-20 by David Scott on Grooveshark


20. "Powa" by tUnE-yArDs (from w h o k i l l)
"I need you to press me down before my body flies away from me"

Merrill Garbus' second album of experimental and discordant music shines when it all comes together (like on "Powa", as well as "Gangsta", "Doorstep" and "Killa") but is somewhat brutal when it doesn't.  
19. "Marathon" by Tennis (from Cape Dory)
"Coconut grove / is a very small cove"

Good thing you can't judge an album by its cover.   

18. "Mysterious Power" by Ezra Furman and The Harpoons (from Mysterious Power)"Call me up right now / I'd call you but I don't know how"

Furman's vocal similarities to Alec Ounsworth of Clap Your Hands Say Yeah may not win him favor with most listeners as readily as it did with me (see #11).  
17. "Jeopardy" by Dan Mangan (from Oh Fortune)
"Have I always been filled with questions?"

A: A 2011 top 20 song not on grooveshark (listen here)
Q: What is the Dan Mangan song in which every lyric is posed in the form of a question?
16. "Sweet Release" by Wugazi (from 13 Chambers)
< Method Man + Fugazi mashup >

Another year, another song in the top 20 featuring an old Method Man track mashed together with an even older rock track. Like last year's "Uh Huh", "Sweet Release" replaces the original beat (not one of RZA's best) with something faster, giving an otherwise unremarkable song new life.  

15. "Don't Let It Get To You" by Rostam (single)
"I want you / even when it don't make sense / actually, I want you more when it don't make sense"

Vampire Weekend's Rostam Batmanglij released two singles in late 2011 that have aspects similar to his full-time gig (this song samples Paul Simon, for example) while also layering in additional elements to create his own sound.  Taken together, it could result in the most entertaining solo album by a non-frontman since Little Joy.
14. "Prophecy" by Adam & The Amethysts (from Flickering Flashlight)
"They say / try not to get worried / try not to turn on to / problems that upset you"

Like #53 on this year's list, "Prophecy" is elevated from being a good song to a great one through the creative repurposing of a well known tune over the closing minute. 
13. "So American" by Portugal. The Man (from In The Mountain In The Cloud)
"They sing / everyone of you will never try to lend a hand / when the policeman don't understand"

Here we have a band named Portgual singing about being American while the lead singer, who sounds a lot like a woman, is The Man. None of this is as strange as the mid-name punctuation.


12. "Serve the People" by Handsome Furs (from Sound Kapital)
"Saying / oh / my god / waiting here so long I feel a change"


An anthem for the disillusioned. Life post-Wolf Parade is manageable as long as both Dan and Spencer (at #6) are releasing music this good on their own. 
11. "Maniac" by Clap Your Hands Say Yeah (from Hysterical)
"Maniac / statue of marble / and I don't want to touch your dark thoughts any more"

After a beloved debut and a maligned followup (which nevertheless had my #1 song of 2007), CYHSY broke-up. "Maniac" is not their best track, but it and a few others on Hysterical were still vintage CYHSY, which feels like a miracle given that the band was no longer an active entity at the start of the year.

10. "You" by TV on the Radio (from Nine Types of Light)
"You / threw your hands up and walked away"

A second appearance on this year's list for Tunde and Kyp (they are also on the Tinariwen album). A very hard decision between this and "Second Song", but the weariness of the chorus on this track puts it over the top. One of my favorite bands.
9. "Never Quite Free" by The Mountain Goats (from All Eternals Deck)
"It's all good to know that from right here the view goes on forever"

This standout from a middle-of-the-pack MG album  has a hopefulness that is partially tempered by the song's name. For my money, no one in music history does a better job naming songs (most of which don't come directly from the lyrics) than John Darnielle. 
8. "Montana" by Youth Lagoon (from The Year of Hibernation)
"I looked back and turned into salt / A pillar with a hat"

Youth Lagoon's debut is so consistently excellent and each song follows a familiar enough pattern (indecipherable lyrics, slow build) that picking one song from the album is a challenge. Ultimately, I chose the first one I heard, the one which made me want to learn more. I highly recommend the whole album.   
7. "Barnes' Yard" by The Rural Alberta Advantage (from Departing)
"We're broken down lovers on the side of the road / we're broken down lovers in a city of oil"

Unlike Of Montreal, Architecture in Helsinki, Beirut, Boards of Canada and others, this band's lead singer is actually from rural Alberta.  Canadians are just completely without guile.
6. "Return to the Violence of the Ocean Floor" by Moonface (from Organ Music Not Vibraphone Like I'd Hoped)
"Said I got a spirit / made out of sand"

Some quick history. I've been doing this list for 7 years now. Spencer Krug has made the list 3 times with Wolf Parade (#1 in 2008), 3 times with Sunset Rubdown (#1 in 2009), 2 times with Swan Lake (#1 in 2006) and now with Moonface. That is nine appearances in seven years, all of which were in the top ten. So, yeah, I kind of like the guy. 

5. "Holocene" by Bon Iver (from Bon Iver)
"I was not magnificent"

I love the way this song, even upon a first listen, sounds like a song you have been listening to for years. This is not because Bon Iver's sound is derivative or unoriginal (which it is, a little bit), but simply because it is so comfortable and lived-in. "Skinny Love" held the same spot in 2008 and I'd have a hard time choosing between the two.

4. "Under Cover Of Darkness" by The Strokes (from Angles)
"I'll wait for you / will you wait for me?"

Upon release as the advance single for Angles, this song was damned with great praise as sounding like a lost single from Is This It.  After disappointing attempts to evolve their sound on First Impression of Earth and elsewhere on Angles can't we just celebrate how great anything that sounds like an essential cut from Is This It is?  
3. "Belong" by The Pains Of Being Pure At Heart (from Belong)
"But no one else / can make me know there's no one else"

I have never had a song climb the chart throughout the year like this one. I enjoyed elements of their 2009 debut album, but it didn't make the year-end list. When Belong came out I thought the title track would be a strong contender to make the list, but had it pegged in the back 50. As time progressed and the play count rose, it climbed and climbed, until I finally realized that the song was a good as anything released during the year. Great fuzzy guitars a la MBV coupled with lyrics that could be heard as "it is hard / but we still belong" or "it is wrong / but we just don't belong" depending on your mood (it is the latter, but I wish it was the former).

2. "East Harlem" by Beirut (from The Rip Tide)
"And sound of your breath in the cold / And oh, the sound will bring me home"

Like with Youth Lagoon, it is exceptionally hard to choose between the best songs on The Rip Tide, but unlike YL it is not because the songs are eerily similar. The best tracks on The Rip Tide ("Goshen", "Santa Fe", "The Rip Tide", "East Harlem") are unique, with different tempos and mood. Instead, it is hard because they are all just so damned good. Faced with this challenge and no obvious #1 for awhile (see below), I lighted upon with the idea of breaking the "one song" rule and just voltroning several songs together to create a dominant #1. Instead, with Beirut at #2, I drew on my experience of having to play favorites among my own children and selected the more classically "Beirut" of the standout tracks. But any of the above could be here.

1. "Law of Gravity" by Rubik (from Solar)
"Had I fought in a war without you /  I’m sure / I would be dust and bones in a faraway corner of the world / we made all the difference / we were all that mattered / just like an apple around its core / then it finally happened / we got old "

As noted above, this is the 7th year of this list. In the prior six years, the #1 slot has been occupied by three Spencer Krug bands (Wolf Parade, Sunset Rubdown and Swan Lake), Sufjan Stevens, Iron & Wine and Clap Your Hands Say Yeah. These are inner circle bands that I truly love; bands I have seen live and own their complete discography of LPs and EPs.  A year ago I had never heard of Finland's Rubik and until December (when I bought a digital download of the rest of Solar) I owned only one of their songs. The prior #1s averaged over 5 minutes long, while "Laws of Gravity" comes in at a brisk 3:26. If none of those make this a surprising top choice, there is also the fact that this is basically a cheesy 80's retro pop song by a bunch of guys singing in their second language. You may hate it. But, at the end of the day, there was no song I listened to more in 2011 and there is no song I want to listen to right NOW more than this wonderful little slice of happiness (especially 1:45 - 2:10).

Friday, January 6, 2012

2011 Songs: 21-40

The home stretch... 

2011 21-40 by David Scott on Grooveshark


40. "My Mistakes" by Eleanor Friedberger (from Last Summer)
"And I swear they / swear they saved my life"

On her debut solo album, Eleanor Friedberger sticks to what I enjoy most about Fiery Furanaces while leaving the band's more eccentric impulses aside. 
39. "212" by Azealia Banks (single)
"I'm a ruin you, c***"

The WTF song of the year is a masterclass on how to cut a debut single. The filthy lyrics smack of novelty, but the song works because of the various permutations that Banks steps through, from rapping, to cutesy spoken word to suprisingly good singing back to a rude-girl Minaj before returning to where we started.   

38. "Lover to Lover" by Florence & The Mahcine (from Ceremonials)"And I feel I'm heading down / but that's allright"

I am a fan of Florence Welch's histrionics as long as they come in relatively modest doses, with this Annie-Lennox-meets-Mowtown tune standing out among a pretty solid album.  
37. "Bubble" by King Creosote and Jon Hopkins (from Diamond Mine)
"So who's been unfair? / who causes you sorrow?"

Diamond Mine is the output of the inspired pairing of Scottish singer-songwriter King Creosote and English electronica artist Jon Hopkins. Hopkins' subtle beats at the outset almost sound like the crackle of static on an old record, creating both a modern and classic sound.
36. "I Don't Want Love" by The Antlers (from Burst Apart)
"Keep your hands to your side / when you follow me home / I don't want love"

The Antlers crafted a strong  second album that was still unhappy in most places but it still felt positively cheery following their debut, a 50-minute song cycle about terminal illness and death (Hospice, which was featured on both the 2008 and 2009 lists).  

35. "The City" by Patrick Wolf (from Lupercailia)
"No I / don't care about cash or careers / your losses or your arrears"

Weird dude. Catchy music.  
34. "The Honest Truth" by Typhoon (from A New Kind of House)
"All my time I’ve walked a filed line / I’ve held a vacant sign upon my eyelids"

The number of good bands out of Portland is getting ridiculous. In addition to Typhoon and  #33 below, bands recently on the top 100 list out of Portland include Horse Feathers, Menomena, Ramona Falls, Laura Veirs, The Thermals, Portugal. The Man, Starfucker and Blitzen Trapper

33. "This Is Why We Fight" by The Decemberists (from The King Is Dead)
"And when we die / we will die / with our arms unbound"

Hopefully the current hiatus from Colin Meloy and crew doesn't last too long. If it does, at least we got a pretty good full length as well as an EP in 2011.  


32. "Contact High" by Architecture in Helsinki (from Moment Bends)
"Here in a paradise / that shakes the world romantic to the bone"


If last year's list was too heeavy on female British pop singers, 2011 has more than a fair share of cheery electronic pop.
31. "Exile Vilify" by The National (from Portal 2)
"Did you fall for the same empty answers again?"

In a year with no album, the National release two new singles, the first on the soundtrack to one of the year's best reviewed films (Win Win) and the other as part of the year's best video game (Portal 2).  Both the songs and their source material are recommended.

30. "We Have Everything" by Young Galaxy (from Shapeshifting)
"In poverty / my love / we have / everything"

See #32 
29. "Here Is My Co-Pilot" by Holly Throsby (from Team)
"I know we could / be good, be good"

There are probably a half dozen songs on this list that I knew were going to make the cut within the first 10 seconds of the first listen.  This is one.
28. "Weather of the Killing Kind" by The Tallest Man on Earth (from Adult Swim Singles Program)
"I drink for something when I'm nothing / I drink for nothing when it's gone"

This was released as part of cable channel Adult Swim's music program and is sponsored by some Kia vehicle. I am glad that artists can do stuff like this now without inane discussion about "selling out".  The song itself is another wonderful, simple folk tune by perhaps the best guy recording such songs today.  
27. "Cut Me Out" by MNDR (from Green Label Sound)
"At least look down boy / as the words rush in / and they wash you away"

And this was released as a promo single on Mountain Dew's label, Green Label Sound. What a bunch of corporate whores...
26. "Shell Games" by Bright Eyes (from The People's Key)
"My private life is an inside joke / no one will explain it to me"

My least favorite of the Monsters of Folk charts the highest on the list during a year they all released new music (to be fair, M Ward only released the holiday She & Him disc).

25. "Well OK Honey" by Jenny O (from Home EP)
"I am a child / you have a child"

I think I initially downloaded this because I briefly got Jenny O. confused with Karen O. And it worked out. What a charmed life I lead. 

24. "Rolling in the Deep" by Adele (from 21)
"We could have had it all"

The first song added to this playlist (on Jan 5 2011) ends up being the year's most heaviliy and widely played song. It's always a surprise when you hear a song that should become an absolute monster, and then it actually does.  
23. "Death As A Fetish" by Starfucker (from Reptilians)
"And I will never be good enough / quietly / and you will never be good enough / just like me"

The same weekend I received Starfucker's mortality focused album I also watched the death-obsessed (and excellent) movie Never Let Me Go and reached the part in (the excellent) White Noise where we learn why people take Dylar and want to be like little Wilder. If I didn't make it to Monday, St. Peter and I were going to have a little conversation about subtlety.   
22. "Wonder Why" by Vetiver (from The Errant Charm)
"When is this old world going to treat me kind"

The perfect music for a summer barbecue that is just chock full of white people. 
21. "A Real Hero" by College (from Drive OST)
"And you / have proved / to be / a real human being"

I am going to cheat a bit here. College actually released this song on an EP in early 2010 that just about no one other than the music coordinator for Drive took notice of. All of the EP's reviews on iTunes and elsewhere came after Drive was released in September 2011. So, while it is techinically not a 2011 song, 1) the song is awesome, 2) Drive is awesome and 3) the way this awesome song is used in the aforementioned awesome movie is awesome. So let's just keep it out of the top 20 and call it fair.

Tuesday, January 3, 2012

2011 Songs: 41-60

The halfway point... 

2011 41-60 by David Scott on Grooveshark


60. "Basic Hypnosis" by Notorious B.I.G. & The XX
<Wait What mashup>

The downtempo beats of The XX are a perfect match for Big Poppa. Wait What put together an excellent 10 song mixtape combining the two. It is a tough call between the above and "It's All About The Crystalizabeths", which features The XX's best hook but a lot more Puff Daddy. Download the whole thing on soundcloud here
59. "Virgin" by Manchester Orchestra (from Simple Math)
"We built this up in one day / to fall down"

Despite releasing their third album in 2011 and being relatively popular, I hadn't listened to Manchester Orchestra before this year. I can only assume that the band's similarity (in name only) to the despised Manheim Steamroller kept me away.  

58. "Radioactive (How to Dress Well Rework)" by Marina & The Diamonds
"My blood is burning / radioactive"

The original version of this song is generic overproduced pop (and I like Marina, who was #58 on last year's list). This remix by How to Dress Well (aka Brooklyn's Tom Krell), however, completely reworks the track with new beats and vocals from the bottom of a well. 
57. "Please, Please George" by Dinosaur Feathers (single)
"So I might have / to read the Wheel of Time instead / they're gonna finish that / even though Robert Jordan's dead"

Relentlessly catchy song that pleads Game of Thrones author George Martin to hurry up and finish the the fantasy series. If this was a TV blog, HBO's series based on Martin's books would be my #2 for the year, behind only Breaking Bad ("I won") and just ahead of Seasons 2 of Louie and Archer.
56. "Pumped Up Kicks" by Foster the People (from Torches)
"You better run / better run / outrun my gun"

It is oh-so-easy (and more than a little unfair) to simply dismiss Torches as a poor man's Oracular Spectacular. On this humble blog, easy will always trump fair. 
55. "Jesus Fever" by Kurt Vile (from Smoke Ring For My Halo)
"I packed my suitcase with myself / but I'm already gone"

One of the first songs I downloaded in 2011. The only prescription for the song, of course, is more cowbell. 

54. "The Show Goes On" by Lupe Fiasco (from Lasers)
"So no matter what you been through / no matter what you into / no matter what you see when you look outside your win-doo"

The generally reviled third album from Lupe Fiasco has too much pop sheen, but while some will bemoan the use of Modest Mouse's most famous riff and the tired you-can-do-anything rhymes, I can't help but nod along. Sue me.

53. "All Die Young" by Smith Westerns (from Dye it Blonde)
"And I can tell by the look in your eyes / you didn't know the way"

A pleasant song made great by the repeated chorus to the tune of "Oh Yoko" over the closing minute. 


52. "Tigers" by The Submarines (from Love Notes / Letter Bombs)
"Baby you can never be / everything I'll never need / but would you put your arms around me"


The male/female tandem behind The Submarines are married, but fortunately not happily enough to lose the ability to write conflicted pop songs like this one.
51. "As Bright As Your Night Light" by Nerves Junior (from As Bright As Your Night Light)
"Sending signals, only you and I know / flip your hair if the answer is no / crack your knuckles / blink three times / grab your coat and I'll grab mine"

A menacing tune that is perfect for night driving at high velocity. (Or, more likely for me, driving your 2-year old to preschool while obeying all posted traffic signs.)

50. "Little Black Submarines" by The Black Keys (from El Camino)
"I should have seen it glow / but everybody knows / that a broken heart is blind"

There are indie bands to make it big that I like more than The Black Keys, but there may not be a band whose mega-success makes me happier. It is awesome that there is still a place in popular music for two guys playing straight-ahead rock and roll. 
49. "Tree by the River" by Iron & Wine (from Kiss Each Other Clean)
"Time isn't kind or unkind / you like to say"

After stealing Kiss Each Other Clean's advance single for my 2010 list (where it was #1), it is not a surprise the full album was a bit of a letdown. The musical advancements Sam Beam is making has created higher volatility from track-to-track than his early work, but I'll take an album of so-so tracks for a chance at a track like "Walking Far From Home" every time.  

48. "Codex" by Radiohead (from The King of Limbs)
"The water's clear / and innocent"

While I haven't liked all of Radiohead's releases (caveat: I prefer to The Bends and In Rainbows to Amnesiac or Kid A) you could never really call an album of theirs dull or forgettable. The Kng of Limbs was kind of both -- with this song as the notable exception (for me). 
47. "Love Out of Lust" by Lykke Li (from Wounded Rhymes)
"We will live longer than I will / we will be better than I was"

Am I the only one that routinely confuses Lykke Li and Basia Bulat? How many alliterative blonde female singer/songwriters from northern latitudes are there out there?  

46. "The Stand" by Mother Mother (from Eureka)
"But for the planets / and the stars / and everything else ... and Mars"

Perhaps the strangest song on the list, particularly the exchange about space (partially excerpted above). 
45. "Daphne" by Lia Ices (from Grown Unknown)
"A heavy numbness seizes her into bark / feet so swift to root, arm to branch and hair to leaf / woman to tree"

A gorgeous, building track from a singer I should know more about than I do.  Justin Vernon (Bon Iver) appears on this track somewhere, not that it makes a difference.

44. "Helix" by Justice (from Audio. Video. Disco.)
<instrumental-ish>

Justice bringing it with a sample from the man, the myth, the legend: Billy Ocean. I called it here. Also, why are there several thousand words on Wikipedia about inconsequential president Millard Fillmore and not even a complete bio or discography on my man Billy O? Get out of my dreams and get on it citizen historians.
43. "Ray Charles" by Chiddy Bang (single)
"I got that honey / that sugar / that spice"

The best summer song released this November. First album proper due in February.  
42. "Otis Redding" by Kanye West (from Watch the Throne)
"I adopted these ni**as / Phillip Drummoned them"

I couldn't resist pairing Otis and Ray (though there is no doubt which singer I prefer). I was surprised to see Watch the Throne high on so many year-end lists. It is fun, but "Otis" is one of the few complete tracks on the album, which suffers from far too many lazy verses. Kanye also sampled Otis on "Gone", my #9 song of 2005.
41. "Poor In Love" by Destroyer (from Kaputt)
"I was poor in love / I was poor in wealth / I was OK in everything else there was"

My favorite track on Kaputt, perhaps because it perfectly captures the odd 80's retro sound of the rest of the album in less than 3 1/2 minutes (advance single "Chinatown" was #99 last year).